By Motilal Jotwani
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Additional info for A Dictionary Of Sindhi Literature
Won hun a great acclaim. GAJRA , TARACHAND D'EUMAL (1885-1968), teacher, public worker and writer. His works include Aarya Naaree (Aryan Women, 193 1) and Guru Prasaad (lives of the Sikh Gu rus. 1932). SINDID LITERATURE 43 Gana-devataa ( 1994), translations of a sakshi. A great autobiographical (Bengali), Manoj Das (Oriya), M. Hindi and included in Bhaarateeya short stories by Rabindranath Thakur Mankad (Gujarati), N. Parthasarathy (Tamil) , Kanhaiyalal Kapoor (Punjabi) and Vijaydan Ditha (Ra jasthani).
Bhavnani, through this book and a learned paper in Mehraan (No. 1 , 1955), acquited the medieval Sindhi poets of this unfair charge. But he, too, did not identifyproperlytheSindhi baits com posed on the models of tunveri duho and baro duhoofDingal and Gujarati, arbitrarilynamed them as "ardha doha, ardha soratha" and "ardha soratha, ardhadoha"respectively and wrongly considered these too varieties of doha as "special Sindhi ability". ) deals with the Chhanda Vidya and examines the value and importance of the earlier work Chhanda Sugandha by Bhavnani.
During the pe riod between 1940 and 1987. Myriad moods surface in his ghazals, in the Presently, he is invited at a wedding poetic form of ghazal which is his reception at his employer's place. main forte. What the poet says in Chunnu and Munni, the bridegroom and the bride, tum out to be two dolls-he-doll and she-doll, with which the rich businessman's little child plays at home. ), a retired Ses- them reminds the reader of emotions he/she has experienced at one time or the other. The poet simply lived, experienced the world around him and repaid it through his ghazals.
A Dictionary Of Sindhi Literature by Motilal Jotwani